It would appear that her lack of family from an early age deprived her of this sense of belonging; in fact Jane received quite the opposite from the Reeds.
Reed slander Jane in the presence of Mr. Jane paces the attic floor when she felt extremely restless and closed in: Jane is described by Charlotte as "simple and plain".
This was reinforced by the appearance of Blanche Ingram in chapter 17 where social status and wealth appear all-important. This re-enforces the feeling within Jane that would be an appendage rather than a partner. Her being forced to travel by herself to Lowood at such a young age is one of the signs Bronte gives us of her being forced to feel responsible for herself as she is being pushed into independence.
Through this violence, Jane then proceeds to Lowood. New York, New York: Bertha is locked as tightly in her secluded room as Jane is locked into her subordinate life, and even in the literal prison of the red room.
She was aware of the possibility of being a kept woman as she had no wealth of her own, she was also conscious of the difference in backgrounds relating to social class.
Ironically, it is his most intense attempt to control Jane — his insistence that she run away with him to the south of France- that makes her realize that he is leaving her no choice but to escape from him.
Many Victorians of the time questioned why Jane would ever go back to such a man. Unfortunately, this depression is not the only consequence of rebelling against social norms as Jane did in the earlier part of her life.
As we see in chapter four Jane is not afraid to confront Sarah Reed when she feels she has been greatly wronged, Helen on the other hand is more inclined to turn the other cheek and remain passive in the face of cruelty. Nevertheless, this undemanding nature is later seen when she must deal with the consequences of Mr.
Jane describes the scene as following: Bertha's proximity and position relative to Jane suggest that the characters are one and the same.
Fairfax said this, Jane felt as though it was not alive unless Rochester was present which is strongly connected to how Jane felt lonely and down because when he was not there.
II because she is a drain on the family resources. She stayed true to herself and motivated to be successful as a woman in this time despite the difficult situations these people had created for her.
Although Bertha and Jane are clearly contrasting characters, it is important to note similarities in their positions and the plots that engage them at Thornfield Hall. Throughout her young life, Jane Eyre lives under some form of tyranny.
She is then taken into the Moor House by her cousins, the Rivers. Jane was always a passionate and emotional character since she was a child. Only after Jane has asserted herself, gained financial independence, and found a spiritual family—which turns out to be her real family—can she wed Rochester and find freedom in and through marriage.
Charlotte Bronte uses descriptions of mental, physical, and natural violence throughout the text to interest the reader and create springboards towards more emotional and dramatic parts of the novel.
In many romantic novels of the Victorian era, the heroine was beautiful. She is resented and persecuted by her wealthy relations, who arbitrarily make and enforce unjust rules that Jane has little choice but to obey. At that time, women and men were never at an equal level socially.
Although Jane is eventually freed from the room, she continues to be socially ostracized, financially trapped, and excluded from love; her sense of independence and her freedom of self-expression are constantly threatened.
This violence is raised through three particular things that include the following. The house was mostly controlled by women and the man, Rochester, only lived their occasionally and had no concern for the women that worked there.
While Jane is described as 'a mad cat' p7the fully-realised madwoman we are told, flew at Mason and 'worried [him] like a tigress. Jane made no use of tact or any of the various social conventions for protecting the feelings of someone with whom she had a disagreement.
Despite his charm, there was much controversy over Rochester's character in Victorian times. In different ways, Jane and Bertha each attempt to devise a socially acceptable plan to function within the patriarchal structure while still retaining a sense of individuality.
She worked her way up from orphan, to governess, to wife of a wealthy man — all without compromising her integrity, her moral standards or her pride. Her mental strength is shown through her courage as a child with her evil aunt, bullying cousin, and hypocritical head master.
As said before, in Victorian times, this relationship would be considered scandalous not only based on the difference in their classes, but also because they believed in purity. It all begun when Jane left Gateshead as a young girl.
In a time where women had little to no say over how they lived their lives, Jane was doing just the opposite and taking control over her own destiny. In this instance, Jane looks into the mirror to see Bertha glaring back, donning a white robe and veil. Later, Jane learns that Rochester cannot marry her because he already has a wife, but even though she desperately wants to cling to him, she still holds to her ethical code:The connection between Jane and Bertha is quite subtle and only apparent if you read the book as a statement on feminism rather than as a piece of romantic fiction.
Bertha: the mad woman in the attic is the reality of the feelings that Jane experiences but is.
Symbols Symbols are objects, characters, figures, and colors used to represent abstract ideas or concepts. Bertha Mason. Bertha Mason is a complex presence in Jane dominicgaudious.net impedes Jane’s happiness, but she also catalyses the growth of Jane’s self-understanding.
The Jane Eyre study guide contains a biography of Charlotte Bronte, literature essays, a complete e-text, quiz questions, major themes, characters, and a fu Jane Eyre is a book by Charlotte Brontë.
Compare and contrast some of the characters who serve as foils throughout Jane Eyre: Blanche to Jane, St. John to Rochester, and, perhaps, Bertha to Jane. Also think about the points of comparison between the Reed and Rivers families.
Given Rochester’s moral sensibilities, it seems only fair to suggest that we can’t really judge Bertha without knowing her side of the story, which we don’t get in Jane Eyre. To address this gap, in Jean Rhys explored what Bertha’s perspective might be like in a novel called Wide Sargasso Sea.
The theme of love in Jane Eyre covers both the romantic variety and the type encountered within a family, a sense of belonging, and a desire to be needed. The romantic love portrayed by Bronte through her novel is quite apparent.Download